Ever since I started taking photos, I have loved photographing loons. They’ve given me countless hours of joy behind the lens, taught me lessons about photography and ecology, and helped me find the weak spots in cameras I’ve evaluated throughout my career.
The common loon is indeed an unusual bird
In Maine and throughout eastern North America, “loon” refers to the common loon (Gavia Mir), although there are other species of loons. The common loon, also known as the northern great loon in Eurasia and is part of its non-breeding range, averages about 28 inches (0.7 meters) in length and has a wingspan of up to 5 feet (1.27 meters).
They are also unusually heavy birds, weighing an average of 9 pounds (4.1 kilograms). A healthy adult male loon can weigh up to 14 pounds (6.4 kilograms). For reference, this is a very similar weight range to adult condors (bald eagle), with a wingspan nearly twice that of the common loon.
A big reason for the loon’s density is its bones. While most birds have hollow bones, much of the loon’s skeletal structure is solid. These make the birds less buoyant, making them more skilled swimmers and divers.
Not surprisingly, this aquatic adaptation makes loons particularly clumsy on land, so they are rarely seen walking. But despite their weight, they are excellent fliers – averaging about 75 miles per hour (121 kilometers per hour) during migration.
Their haunting calls herald the changing of the seasons
Speaking of migration, the common loon has become an iconic part of life in Maine in part because its presence coincides with the seasons. The loon changes as the seasons change, both in its plumage and literally when it appears on lakes and ponds.
One of the most reliable signs of spring is the return of loons to inland waters and filling the crisp dawn and dusk air with their unique, haunting songs. As the birds build their nests and try to raise their chicks against daunting odds throughout the summer, their darkening plumage signals that winter is coming. If the pups survive, they will stay longer than their parents, but when the first snow arrives, they will also move toward the coast in search of non-freezing water.
This rhythmic annual cycle also means a lot to me personally, as “loon season” means wildlife photography opportunities will increase significantly. Winter in Maine has its charms, but by the time March and April roll around, I’m ready for it to be over. Dull grays and browns gave way to neon greens and yellows, and the animals reappeared. Things are not getting better.
What I’m doing: Part recording, part teaching, mostly learning
Which brings me to today’s new series, which will tell the photos and stories of a small pond in Maine. While the focus is primarily on the loons that live there—my father and I spent many summers photographing the family—I will also look at other ways the pond has evolved and the other creatures that call it home.
Like the animals in the pond, this series will grow and change in unforeseen ways. It will serve primarily as a living document, published every two weeks until the loons make their way east to the Atlantic Ocean.
While I plan to take many of the photos myself when I return to Maine, I will be relying on my father, Bruce, for many of the photos in this series. I consider myself a fairly dedicated photographer who is willing to get up at unpleasant hours to take great photos, but my dad is probably the hardest working person I know and that reflects in photography as well.
I prayed that the series would follow a pair of loon chicks from hatching to their first migration in the fall, but the presence of baby loons is dangerous.
If a breeding pair builds a nest and lays eggs (which is expected), there will only be one or two eggs in the clutch. Because of the risks associated with loon nests, the generally difficult incubation process, and the large number of predators that loon chicks encounter after hatching, the average loon pair raises a chick every other year. Unfortunately, the odds were not in their favor. I desperately hope I don’t have to write that post in a few months.
Whatever happens, this project will provide ample opportunity to discuss biology, behavior, conservation, and photography—including tips for photographing from a kayak and adjusting the correct exposure and focus settings for photographing loons. Their black and white plumage is a real nuisance to even the best cameras.
The drama will be shot using OM-1 Mark II
Speaking of cameras, the series will also be a long and somewhat messy test of the OM System OM-1 Mark II, which will include various OM System lenses, especially the new 150-600mm f/5-6.3 IS, the longest Micro Four Thirds lens on the market.
While I hope to share useful information for other wildlife photography enthusiasts through my experience of hundreds or even thousands of hours photographing ponds, I also hope that studying different topics will allow me to learn more about loons and other Animals that I like very much.
See you next time when I focus on ethical and responsible wildlife photography, including tips on using long lenses and knowing appropriate viewing distances to always keep animals safe and undisturbed.
Image Source: Photos by Jeremy Gray and Bruce Gray
#Wildlife #Maine #Pond #Series #Nature #Photography #Journals
Image Source : petapixel.com